Populäre Musik und Pop-Literatur:Zur Intermedialität literarischer und musikalischer Produktionsästhetik in der deutschsprachigen Gegenwartsliteratur Markus Tillmann
Populäre Musik und Pop-Literatur:Zur Intermedialität literarischer und musikalischer Produktionsästhetik in der deutschsprachigen Gegenwartsliteratur Lettre Markus Tillmann
´´The story races at a dizzying pace.... [Woods] does show a reader a good time.´´ (Washington Post Book World) Step One: The Perfect Murder Sandy Kinsolving´s once-glittering life hangs by a thread; his future depends on his wife´s inheritance and whether or not she´s about to throw him out on his ear. What he wouldn´t give for a solution to his money and marriage problems. If this were an Alfred Hitchcock movie, the solution would be obvious. Enter a stranger with wife problems of his own, who offers a violent - and mutually advantageous - proposal. Then, in the time it takes to whisper a word, Kinsolving´s normal life ends. What radiate like a mirage before him are wealth, security, and freedom. But lurking in the shadows are a brutal murder he cannot prevent and a madman who stalks his every waking moment. ´´One of the smoothest writers in the pop literature biz and always a pleasure to read.´´ (Detroit News) 1. Language: English. Narrator: Tony Roberts. Audio sample: http://samples.audible.de/bk/harp/005237/bk_harp_005237_sample.mp3. Digital audiobook in aax.